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• PATH Menu >
• Free Download
• Getting Started >
• 1 - Why This Book?
• 2 - What's a Way-of-working?
• 3 - Way-of-working: So What?
• 4 - Travel Guide For This Book
• 5 - Is This a Digital Photography Book?
• You & Photography >
• 6 - Not Been a Student for Awhile?
• 7 - A New Identity
• 8 - Magic Pills
• 9 - Little Magic pills
• 10 - Harder & Harder
• 11 - Hierarchy of Dissatisfaction
• 12 - Do Think More
• 13 - Don't Think So Much
• 14 - The Above Two PATHways
• 15 - Mistakes
• 16 - Mistake Analysis
• 17 - Down Time = Objectivity & Insight
• 18 - Dashed Expectations
• 19 - Credit
• 20 - Sole Authorship?
• 21 - Different Audiences
• The Photograph & You >
• 22 - What's a Good Photograph?
• 23 - How Often Do Good Photographs Occur?
• 8 More Reasons for Good Photographs >
• 24.0 - Introduction
• 24.1 - Good Subject = Good Photograph?
• 24.2 - Equipment
• 24.3 - Technique
• 24.4 - Form
• 24.5 - Knowledge of Subject
• 24.6 - Knowledge of Self
• 24.7 - Surprise
• 24.8 - Light
• Top 16 Reasons For Bad Photographs >
• 25.0 - Introduction
• 25.1 - I Don't Have Enough Time
• 25.2 - Waiting for the Muse
• 25.3 - No Camera
• 25.4 - Buried Camera
• 25.5 - Pictures of Trips & Family Only
• 25.6 - Jumping from One-Thing-to-Another
• 25.7 - Not Doing a Larger Project
• 25.8 - Paying Attention to the Subject Only
• Camera Vision v. Human Vision >
• 25.9 - Part 1
• 25.10 - Part 2
• 25.11 - Using Program All the Time
• Your Viewfinder Can Lie >
• 25.12 - Part 1
• 25.13 - Part 2
• 25.14 - Bad Prints
• 25.15 - Photographs that Got Away
• 25.16 - Lack of Sensitivity to Light
• 26 - More about Light
• 27 - Snow Analogy
• Sensitivity to Light >
• 28.0 - Introduction
• 28.1 - Take a Picture Out Your Window
• 28.2 - Take a Picture of a Newspaper
• 28.3 - Play with Light
• 28.4 - Watch an Old B&W Film
• 28.5 - WYSINWYG
• 29 - More about Surprise
• 30 - Gesture
• 31 - A Place for Your Project
• 32 - Display Your Work
• Classic Themes in Photography >
• 33 - What's Art?
• 34 - Is Photography Art?
• 35 - Photographing Reality?
• 36 - Taking v. Making Photographs
• 37 - Purity
• Back to You >
• Why Do Photography? >
• 38 - Introduction
• 38.1 - Structure
• 38.2 - Rewards
• 38.3 - Example #1
• 38.4 - Example #2
• 39 - Write an Artist Statement
• 40 - Reasons for Good Photography
• Woody Allen & the Six P's >
• 41 - Introduction
• 41.1 - Passion
• 41.2 - Pliny
• 41.3 - Practice
• 41.4 - Persistence
• 41.5 - Patience
• 41.6 - Presentation
• 42 - Satan v. Venus
• 43 - Presentation
• Fame, Guru-hood, Sales of Prints >
• 44 - Introduction
• 44.1 - Age
• 44.2 - Education
• 44.3 - Size & Quantity
• 44.4 - Effort
• 44.5 - Risk
• 44.6 - Time & Money
• 44.7 - Good Creation Story
• 44.8 - Innovate
• 44.9 - Bodies of Work
• 44.10 - Be Popular
• 44.11 - Be an Artist
• 44.12 - Ego
• 45 - Bulls--t Happens
• 46 - It-Why You're a Photographer
• 47 - More Resources
• 48 - Most Importantly ...