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Beecher's HandoutsBeecher's Handouts is a free 122 page book about photography. Read online or download a free copy. | Photo Cheat SheetThe questions you need to ask just before you press the shutter release. Read online or download a free copy. | Photo Flash CardsUse the flash cards to make learning about your camera easy. Read online or download a free copy. | Photoshop Elements100s of articles & tutorials make editing with Photoshop Elements easier and fun. | LightroomHere's a free 127 page book about organizing and editing with the program. Read online or download a free copy. | PrintingGet help with your prints. |
Tips100s of photography tips for you. Learn something new. Improve your photography. | PATHPATH is a free book about the most important ingredient in photography. Most books are about cameras. This book is about you. Read online or download a free copy. | Creative Energy QuestionnaireUse the Creative Energy Questionnaire to delve into your inner photographer. Get more creative energy. | Private LessonsPrivate lessons are tailored to your needs. | Upcoming ClassesBe a better photographer Take a class. | For Jim's StudentsThere's information here for my students. I've gathered together the essential articles & tutorials.
New Stuff
Note: Lightroom 4 Beta
Photoshop Elements: Split Toning, Tips: Passage of Time & Organize Your Photographs (Revised)
Jot down everything you can about a photograph in five minutes.
Direct your critical thinking toward the photograph—not toward your critical thinking—or yourself.
Write down anything.
Brainstorm.
Don't judge.
Most people see only the subject in the photograph.
Some see more, the gist of the photograph.
A few see and feel a lot more—the entire gestalt produced by the photograph.
By doing the exercise below, you can be a level-3 photographer.
| 1 | Subject |
| 2 | Gist |
| 3 | Gestalt |
Make two passes through the exercise.
Check off the categories below that apply to the photograph.
Define the categories as you see fit.
The categories may overlap with each other.
When a single term is listed, consider any opposite terms, as well.
For example, depth includes lack of depth.
There may be shades of gray between the opposites, too.
There are also boxes for adding additional categories.
Jot down comments in the boxes for the pertinent categories.
The checkboxes that you click, and the text you enter below, go no further than your own computer.
If you move to another page, or close this page, what you've entered is NOT saved.
Page breaks have been inserted in the text.
Use portrait orientation with the scale set to Shrink to Fit, not 100%.
Here's a PDF version of this first section.
Solar System MetaphorYou'll surprise yourself. The notebook and time limit are like a telescope. You'll see a solar system. We'll use our solar system as a metaphor for a photograph. Here's a summary of the metaphor. |
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What Type of Solar System?What's the genre of the photograph? |
Write about the photograph's genre. |
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Light from the Sun ~ RewardAbove, the sun in our metaphor is the purpose of the photograph. The light from the sun is the something that lights up the reward areas of the viewer's brain. What's the reward for the viewer? If you're using one of your photographs, this reward may be different for you the photographer, than it is for other viewers. The photograph creates one or more of the following. Harmony, such as that from a pleasing arrangement of lines, shapes, tones, colors, i.e., visual gymnastics Thought, such as insight |
Write about the photograph's reward. |
From De Revolutionibus Orbium Coelestium by Nicolaus Copernicus |
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It's a Solar SystemThe planets, discussed below, are the many ingredients that went into the photograph. These ingredients, like the planets, are part of a system. Everything within the frame, and a few things outside the frame, are working together in a good photograph. |
![]() Gustav Holst, The Planets |
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PlanetsAs mentioned, the planets are the many ingredients that went into the photograph. There can be just a few, or many. The Pluto-sized planets of the photograph's solar system are minor players. The Jupiter-sized ingredients play bigger roles, such as light. There's a section below about light, the Jupiter of our photographic solar system. Who What When Where Why Depth, which may be expressed with composition, tone, focal length Past Now Future Technical (See Camera Buttons below) Point-of-view of the photographer Is the photographer absent, explicitly present, or implicitly just off stage? |
Write about the photograph's ingredients. |
Planets ContinuedPurity, such as manipulation, camera brand and type, color v. B&W |
Write more about the photograph's ingredients. |
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We leave the solar-system metaphor here. |
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LightAs mentioned, light is the most important planet in your photograph's solar system. There are fours ways to describe light. 1) Direction Texture & Volume 2) Size, which changes the contrast of the lighting 3) Color and tone Time of day 4) Distance from the subject There's a discussion of light in Beecher's Handouts. Go to Light / 5.1 - Introduction. |
Write about the light in the photograph. |
Camera Buttons |
Write about the focus, depth-of-field, etc. |
CompositionWhat's on or near the edges and corners of the frame. What's outside the frame, if anything? Does everything in the frame contribute to the photograph? Where was the camera placed in the scene? Foreground Middle ground Background Relationships between shapes, colors, tones |
Write about the photograph's composition. |
The next section has a more philosophical approach to the topic of what is a good picture.
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