Search photokaboom.com
![]()
Beecher's HandoutsBeecher's Handouts is a free 122 page book about photography. Read online or download a free copy. | Photo Cheat SheetThe questions you need to ask just before you press the shutter release. Read online or download a free copy. | Photo Flash CardsUse the flash cards to make learning about your camera easy. Read online or download a free copy. | Photoshop Elements100s of articles & tutorials make editing with Photoshop Elements easier and fun. | LightroomHere's a free 127 page book about organizing and editing with the program. Read online or download a free copy. | PrintingGet help with your prints. |
Tips100s of photography tips for you. Learn something new. Improve your photography. | PATHPATH is a free book about the most important ingredient in photography. Most books are about cameras. This book is about you. Read online or download a free copy. | Creative Energy QuestionnaireUse the Creative Energy Questionnaire to delve into your inner photographer. Get more creative energy. | Private LessonsPrivate lessons are tailored to your needs. | Upcoming ClassesBe a better photographer Take a class. | For Jim's StudentsThere's information here for my students. I've gathered together the essential articles & tutorials.
New Stuff
Note: Lightroom 4 Beta
Photoshop Elements: Split Toning, Tips: Passage of Time & Organize Your Photographs (Revised)
Download a FREE copy of Beecher's Handouts. Go to Download.
The background can help or hinder your picture.
However, it's very hard to pay attention to what is happening back there.
Check the background and do the following.
If it's not good, change your vantage point.
Push the background further away by using a wide-angle focal length.
Or, bring it close by using a more telephoto focal length.
Use a wide lens opening, such as f/1.4 on a 50mm lens, to blur the background.
Use a smaller lens opening, such as f/16, to have the background sharper.
Things in the background may merge with the subject.
The classic example is a telephone pole behind a person's head.
Also, make sure the horizon line does not line up with a person's eyes.
The foreground is often not used well.
If your photograph is not being improved by an empty foreground, then do the following.
• Change your vantage point.
• Zoom in.
• Place something in the foreground, such as shooting through the cattails on the edge of a pond.
Use something in the foreground or background to frame your subject.
For example, place a tree on one side of the picture.
Or, place your subject in front of an out of focus arch of a rose arbor.
Close one eye to judge how a scene will look as a photograph.
You can add to the feeling of depth in the following ways.
Use receding or converging lines in the picture.
The lines could be a road, for example.
Add depth by having lots of separation between the subject and background.
There are three ways to do this.
1) Make the background out-of-focus by using less depth-of-field.
2) Make the background lighter or darker, or a different color, than the subject.
Blue tends to recede, as do lighter colors.
3) Use backlighting or side lighting. The bright edge on the subject will give a feeling of separation from the background.
Haze in the background is a cue to our brain that the scene has depth.
If you add something of known size to your photograph, the viewer will be cued as to the size or distance of the subject.
The small person in the distance, with a much larger person near the camera, is a strong depth cue, for example.
You may wish to remove depth.
Do the reverse of the above.
| Back | 20.4 | Next |